Marcel Hastir

The arts which over the years have found a home at the Atelier are indeed extremely diverse: the Hastirs were among the earliest to appreciate the talents of artists such as Charles Trenet, Jacques Brel, Barbara, Maurice Béjart, Lola Bobesco, Carlo Van Neste, and Narciso Yepes, to name but a few hosts of the Atelier. They provided a podium from which these artists, but also intellectuals and men of action, e.g. Lanza del Vasto, Père Dominique Pire and Abbé Pierre, could address the public. Marcel Hastir’s biography contains many anecdotes from this culturally thriving period ("Une Vie", to be republished in 2013). Ginette died in 1983.

Marcel Hastir died on 2 July 2011, at the age of 105. He was buried in Carl Sternheims grave, who was a friend of his.

With this backing, the City of Brussels was able to purchase it in February 2010. Fondation Atelier Marcel Hastir was granted a 99 year long-lease over the whole building as of 1 October 2010. All the works of Marcel Hastir, in all their manifestations, have thus been saved and are in the care of the volunteers who support the Foundation.

On 24 April 2008, the Jewish Community of Brussels awarded him the accolade of "Mensch of the Year" in recognition of his actions to assist his Jewish fellow citizens during the war years. And the Belgian State, represented by Deputy Prime Minister Laurette Onkelinx, announced its decision to support Fondation Atelier Marcel Hastir in its efforts to prevent the building at 51 rue du Commerce from being purchased with speculative aims.

On 22 March 2006, his 100th birthday, the City of Brussels made him an Honorary Citizen, and Brussels Region officially classed his studio as part of the historic and cultural heritage of Brussels. RTBF broadcast a documentary by Caroline Hack entitled 51, Rue du Commerce, about Marcel Hastir’s life and work.

In 2005, Hastir asked his helpers to set up a foundation to bear the name of his Atelier, to be known as the "Fondation Atelier Marcel Hastir" and to which he bequeathed all his works.

Quartier Léopold became a target for real estate brokers and developers and – possessing only a tenancy of two floors of the building – Marcel Hastir had to battle for years with attempts to evict him from his home and studio. The most recent attempts were in 2002 (demolition was threatening) and 2004 (a notice to quit was served on him). Both were defeated thanks to the mobilization of citizens and associations in support of the aged painter, cultural icon and resistance fighter.

When the war was over, he resumed painting, teaching art and restoring older paintings. At this time too, he and his wife Ginette van Rijkevorsel van Kessel (they married in 1946) became more and more active in organizing events of a musical, literary, theatrical and intellectual nature at the Atelier. They formalized these activities in 1949 by setting up a not-for-profit organisation called "L'Atelier – Maison des Arts Coordonnés".

These people included Alexandre and Youra Livchitz, and Jean Franklemon, who apart from other acts of defiance came up with a particularly bold plan – to stop a train which was deporting Jews to Auschwitz. Youra Livchitz, Jean Franklemon and their friend Robert Maistriau did so successfully during the night of 19 April 1943, at Boortmeerbeek, enabling many to escape.

In 1940, he managed to secure permission from the German occupying authorities to use his studio for drawing and painting lessons. But this "art school" was above all a cover which enabled young people to meet in relative safety.

In 1935, he moved to 51 rue du Commerce in the part of Brussels known as "Quartier Léopold".

Marcel Hastir was a pupil of artists Constand Montald, Emile Fabry and Jean Delville and of the sculptor Victor Rousseau. During his military service, he took part in preparing the celebrations to mark the centenary of the birth of Belgium (1930). Later he designed the décor of the Chemistry Pavilion at the 1935 Brussels Universal Exhibition.

Marcel Hastir (22 March 1906 – 2 July 2011), was an artist, theosophist and member of the Belgian Resistance during World War II. He lived from 1935 onwards at 51 Rue du Commerce, Brussels, which is also where he set up his studio. From the outset, it was a place where young musicians came to perform.