Age, Biography and Wiki

Kay Swift (Katharine Faulkner Swift) was born on 19 April, 1897 in New York City, New York, USA, is a Soundtrack, Writer, Music Department. Discover Kay Swift's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of Kay Swift networth?

Popular As Katharine Faulkner Swift
Occupation soundtrack,writer,music_department
Age 96 years old
Zodiac Sign Aries
Born 19 April 1897
Birthday 19 April
Birthplace New York City, New York, USA
Date of death 28 January, 1993
Died Place 1993
Nationality USA

We recommend you to check the complete list of Famous People born on 19 April. She is a member of famous Soundtrack with the age 96 years old group.

Kay Swift Height, Weight & Measurements

At 96 years old, Kay Swift height not available right now. We will update Kay Swift's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is Kay Swift's Husband?

Her husband is Hunter Galloway (1946 - 1969) ( divorced), Faye Hubbard (1939 - 1946) ( divorced), James Paul Warburg (1918 - 1935) ( divorced) ( 3 children)

Family
Parents Not Available
Husband Hunter Galloway (1946 - 1969) ( divorced), Faye Hubbard (1939 - 1946) ( divorced), James Paul Warburg (1918 - 1935) ( divorced) ( 3 children)
Sibling Not Available
Children Not Available

Kay Swift Net Worth

Her net worth has been growing significantly in 2020-2021. So, how much is Kay Swift worth at the age of 96 years old? Kay Swift’s income source is mostly from being a successful Soundtrack. She is from USA. We have estimated Kay Swift's net worth, money, salary, income, and assets.

Net Worth in 2021 $1 Million - $5 Million
Salary in 2020 Under Review
Net Worth in 2019 Pending
Salary in 2019 Under Review
House Not Available
Cars Not Available
Source of Income Soundtrack

Kay Swift Social Network

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Timeline

1937

For ten years she and George were intimate, and it is certain, after some frustrations in Hollywood, he was about to return to her in New York before his untimely death in 1937. After George's death, she completed many of George's works (from memory) and wrote down complete works that otherwise would have been lost. Her second Broadway score (words and music) was for Cornelia Otis Skinner's one-woman show Paris '90. Even into her 90s, Swift was the last knowledgeable living person who could play Gershwin music the way George played it. Her apartment in Manhattan was the ultimate destination for Gershwin scholars.

1930

Kay Swift is better known for her decade-long involvement with George Gershwin than she is for her own musical contributions to the American Songbook. After George's death, she was sought after far more as an expert on his work than for her own original musical compositions. Though many people believe that she made this choice, she had a great deal of regret that her career was always second to his, and much as she wished for work, she never had few of the kind of opportunities that would have resulted in a bigger catalog bearing her name. Gershwin dedicated his "Songbook" to her. He suggested that her maiden name, Swift, with the nickname "Kay," which originated with him, would be the perfect name for her as a songwriter. Trained as a classical musician, with a great deal of talent both as a performer and as a composer, she only began to write popular show tunes with his encouragement. In 1930, Kay and her husband James Paul Warburg (of the banking Warburgs) wrote the first successful musical show of the 1930s, Fine and Dandy (with a book by Donald Ogden Stewart) starring Joe Cook. (Warburg wrote under the name "Paul James" so that his father's banking associates wouldn't become alarmed.

1929

) This song was preceded by many revue songs, including "Can't We Be Friends?" from the 1929 Schwartz-Dietz revue The Little Show. Her musical and personal relationship with George Gershwin was so significant that her handwritten comments and notation can be found on pages of the original manuscript to Porgy and Bess.