Kate Soper

Recent commissions for work as a performer/composer include a 2012 Guggenheim fellowship for a one-act opera with original libretto, Here Be Sirens; a Koussevitsky Commission for a music theatre work performed with Alarm Will Sound; and now is forever for soprano and orchestra from the American Composers Orchestra.

Since 2006, Soper has served as a co-director and vocalist for Wet Ink, a New York-based new music ensemble founded in 1998 and dedicated to the presentation of programs of new music, with a focus on creating, promoting, and organizing American music. In addition to a New York concert season featuring many of the city's freelancers, Wet Ink performs as a septet consisting of a core group of composer-performers that collaborate in a band-like fashion, writing, improvising, preparing, and touring pieces together over long stretches of time. Alongside fellow composer/directors Alex Mincek (saxophone/founding member), Sam Pluta (electronics), Eric Wubbels (piano), and performers Ian Antonio (percussion), Erin Lesser (founding member, flute), and Josh Modney (violin), Soper frequently tours, performs with, and writes for the Wet Ink Ensemble. Her large-scale monodrama for the group, Voices from the Killing Jar, was released on Carrier Records in 2014.

Soper has also received awards from The American Academy of Arts and Letters and the Music Theory Society of New York State, as well as two honorable mentions from the ASCAP Morton Gould Young Composer Awards (2003 and 2011).

Kate Soper (born 1981) is a composer and vocalist, notable for her innovative treatment of the vocal mechanism. Her work as both a composer and performer explores the dramatic and affective qualities of the human voice, capitalizing on extended vocal and instrumental techniques. She was a recent Guggenheim Fellow as well as a 2012-13 fellow of the Radcliffe Institute for Advanced Study. She was a finalist for the 2017 Pulitzer Prize in Music for her chamber opera, Ipsa Dixit.