Age, Biography and Wiki
Josef Wirsching was born on 22 March, 1903 in Munich, Germany, is a cinematographer. Discover Josef Wirsching's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 64 years old?
| Popular As |
N/A |
| Occupation |
cinematographer, film director |
| Age |
64 years old |
| Zodiac Sign |
Aries |
| Born |
22 March, 1903 |
| Birthday |
22 March |
| Birthplace |
Munich, German Empire
(present-day Germany) |
| Date of death |
(1967-06-11) Bombay, India |
| Died Place |
Bombay, India |
| Nationality |
Germany |
We recommend you to check the complete list of Famous People born on 22 March.
He is a member of famous cinematographer with the age 64 years old group.
Josef Wirsching Height, Weight & Measurements
At 64 years old, Josef Wirsching height not available right now. We will update Josef Wirsching's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
| Family |
| Parents |
Not Available |
| Wife |
Not Available |
| Sibling |
Not Available |
| Children |
Not Available |
Josef Wirsching Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is Josef Wirsching worth at the age of 64 years old? Josef Wirsching’s income source is mostly from being a successful cinematographer. He is from Germany. We have estimated
Josef Wirsching's net worth
, money, salary, income, and assets.
| Net Worth in 2023 |
$1 Million - $5 Million |
| Salary in 2023 |
Under Review |
| Net Worth in 2022 |
Pending |
| Salary in 2022 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
cinematographer |
Josef Wirsching Social Network
| Instagram |
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| Linkedin |
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| Facebook |
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| Wikipedia |
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| Imdb |
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Timeline
He died in Bombay on 11 June 1967, after a massive cardiac arrest. His photographic collection is now maintained by grandson Georg Wirsching.
After his stint in Bombay Talkies he joined Kamal Amrohi's Mahal Pictures as director of Photography in 1959 and did two films namely Dil Apna Aur Preet Parai (1960) and Pakeezah (1972), his only colour film. This film was completed in part after his demise in 1967 and was released in 1972. The remaining scenes which were shot after his demise are clearly noticeable. The famous Paan gali scene is credited to him. He even shows up on screen as a large bearded man in the crowd in the film.
Before ‘Bombay Talkies’ closed down in 1954; he joined ‘AMA Limited’ in their documentary & ad-film division in 1954, where he photographed, co-photographed and partially directed a few of their productions in both color and black n white:
As he was a German national living in the British India, In 1939 he was interned for the period of World War II in an internment camp for foreign nationals, firstly in Ahmednagar, then Dehradun and finally Satara. He was ultimately released from internment in 1947 after which he returned to ‘Bombay Talkies’ which by now had changed ownership.
After Emelka he joined Bombay Talkies in Bombay, India, as a director of Photography in 1935.
He married Charlotte Mϋllberger in Germany on 28 January 1929. Their only son, Wolfgang Peter Wirsching was born in Bombay, India in 1939.
In 1923, he joined ‘Emelka Film Studios’ (present day ‘Bavaria Films’) as an assistant cameraman cum laboratory assistant and was later promoted to Film Cameraman in a short span of time and was involved as an assistant/cameraman for the following films:
Josef Wirsching (22 March 1903 – 11 June 1967) sometimes credited as Joseph Wirsching, was a German cinematographer, who became a pioneer in cinematography in India and who contributed to the heritage of Cinema of India and still photography in its improvement into a scientific art of expression. His association with Indian cinema started in 1925, when he worked with another German, Franz Osten, in the Indo-European collaboration, The Light of Asia. Thereafter he settled in India, went on to work in over 20 films with Bombay Talkies and subsequently with Kamal Amrohi in Mahal (1949), Dil Apna Aur Preet Parayi (1960) and his masterpiece Pakeezah (1972), though he died while it was still under production.
