Age, Biography and Wiki
Gwilym Simcock was born on 24 February, 1981. Discover Gwilym Simcock's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 39 years old?
|Age||40 years old|
|Born||24 February 1981|
We recommend you to check the complete list of Famous People born on 24 February. He is a member of famous with the age 40 years old group.
Gwilym Simcock Height, Weight & Measurements
At 40 years old, Gwilym Simcock height not available right now. We will update Gwilym Simcock's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
|Body Measurements||Not Available|
|Eye Color||Not Available|
|Hair Color||Not Available|
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
Gwilym Simcock Net Worth
His net worth has been growing significantly in 2020-2021. So, how much is Gwilym Simcock worth at the age of 40 years old? Gwilym Simcock’s income source is mostly from being a successful . He is from . We have estimated Gwilym Simcock's net worth, money, salary, income, and assets.
|Net Worth in 2021||$1 Million - $5 Million|
|Salary in 2020||Under Review|
|Net Worth in 2019||Pending|
|Salary in 2019||Under Review|
|Source of Income|
Gwilym Simcock Social Network
|Wikipedia||Gwilym Simcock Wikipedia|
Simcock was born in Bangor, Gwynedd. At the age of eleven he attained the highest marks in the country for his Associated Board Grade 8 exams – on both piano and French horn. He went on to study classical piano, French horn and composition at Chetham's School, Manchester, where he was introduced to jazz by pianist and teacher Les Chisnall and bassist and teacher Steve Berry. He went on to study jazz piano at The Royal Academy of Music, London with John Taylor, Nikki Iles, Nick Weldon and Geoff Keezer.
He was a member of Tim Garland's Lighthouse Trio, however left in 2013 being replaced by John Turville. He was a member of Malcolm Creese's Acoustic Triangle, Stan Sulzmann's Neon, and Bill Bruford's Earthworks. He has also played with musicians including Dave Holland, Lee Konitz, Bob Mintzer, Bobby McFerrin, Kenny Wheeler, Iain Ballamy, Julian Argüelles, Pete King, Don Weller, Steve Waterman, and Torsten de Winkel / New York Jazz Guerrilla. He is a founder member of The Impossible Gentlemen.
In 2011 his album Good Days At Schloss Elmau was one of the twelve nominees for the Mercury Music Prize, ultimately losing to PJ Harvey's Let England Shake.
In 2008 he was commissioned to perform at The Proms at the Royal Albert Hall in London. He composed a Piano Concerto "Progressions" which he performed with his trio and the BBC Concert Orchestra on 9 August 2008, broadcast live on BBC2 TV.
On 5 October 2008 he was featured in an evening at the King's Place Opening Festival in which he performed four concerts leading four different groups including a duo with John Taylor.
In 2006 he was the first jazz musician to be selected for the BBC Radio 3 New Generation Artists scheme, and this was extended to 2008. It involved numerous recordings that were broadcast on BBC Radio 3 as solo performances, and his trio appearance at the Wigmore Hall during the London Jazz Festival 2006 (broadcast 7 July 2007).
His trio, which has performed at festivals and venues worldwide such as the North Sea Jazz Festival 2007, now features James Maddren (drums) and Yuri Goloubev (bass), while his debut album featured Stan Sulzmann, John Parricelli, Phil Donkin, Martin France and Ben Bryant. He was chosen by Chick Corea for a solo concert performance and live recording at Klavier Festival Ruhr 2007. This concert was broadcast on WDR radio and 20,000 copies were given away as a cover mount CD in Germany's leading music magazine Fonoforum.
Gwilym Simcock (born 24 February 1981) is a Welsh pianist and composer working in both jazz and classical music, and often blurring the boundaries of the two.