Gerald Thomas

On November 11, 2017, Gerald Thomas opened his new production “Diluvio” at SESC Anchieta- Consolação, in São Paulo, Brazil, after a three-year absence from the theater. Cast: Maria de Lima, Lisa Giobbi, Julia Wilkins, Ana Gabi, Beatrice Sayd, Isabella Lemos, André Bortolanza, Ronaldo Zero, Wagner Pinto and Dora Leão.

In 2016, Thomas’s autobiography "Between Two Lines" or "Entre Duas Fileiras", is released by Grupo Editorial Record. The blurb on the back cover is by Oscar Nominee and Golden Globe winner Fernanda Montenegro (and protagonist of Thomas’s "The Flash and Crash Days") writes : "Gerald Thomas exists by virtue of his devastating quality, his inconstancy, his nonconformity, his aggressiveness, his faith laden disbelief, his life affirming death cult; through his clear and powerful incongruence; by laughing and crying like an innocent and somehow ominous child, by loving the neighbor he hates; by being an unexpectedly good, adorable boy and friend; by accepting and forswearing you in seconds; by loving you madly, by cursing you while blessing you; for his devilish, eternal and nonconformist Art is monstrously creative. His Art is unique upon our stages and in our lives. If you have seen or experienced it, it will remain unforgotten."

In 2009 he wrote a manifesto declaring his "goodbye-to-theater" yet, in 2010, Thomas announced to Stage News that he was to set up his Dry Opera Company in London. Its first production, "Throats," written and directed by Thomas, began performances at the Pleasance Theater in Islington on Feb. 18, 2011.

In 1985 Thomas formed and established his Dry Opera Company, in São Paulo. It has performed in 15 countries up until 2008 (see list of works below).

Gerald Thomas Sievers, best known as simply Gerald Thomas (born July 1, 1954, Rio de Janeiro) is a theatre and opera director and playwright who has spent his life in the United States, England, Brazil and Germany. After graduating as a reader of philosophy at the British Museum Reading Room, Thomas began his life in the theater at Ellen Stewart's La MaMa E.T.C. in New York City. During this period Thomas became an illustrator for the Op-Ed page of the New York Times while conducting workshops at La MaMa E.T.C. where he adapted and directed world premieres of Samuel Beckett's prose and dramatic pieces.