Evelyn Laye

In 1992, still performing at the age of 92, she toured in a production at Drury Lane. Later that year, she was paid a tribute at the London Palladium, led by actor John Mills, deemed "the fairest prima donna this side of heaven".

One of her last plays was Noël Coward's "Semi-Monde" (1987-88), at the Royalty Theatre in London, with fellow cast members Kenneth Branagh and Judi Dench.

She was made CBE (Commander of the Most Excellent Order of the British Empire) in the 1973 Queen's New Year Honours List for services to drama. It was rumoured that Queen Elizabeth the Queen Mother, an avid fan of Laye's, wished Laye to be elevated to Dame Commander of the Order of the British Empire in 1995, but Laye's death in February 1996 put and end to this.

Three years later, Evelyn gave a strong performance as the mother of Jean Simmons in Say Hello to Yesterday (1971), a romance set in swinging 60's London. For the most part, she continued to act on the stage, which had always been her favourite medium, performing in plays like "Three Waltzes", "The School for Scandal", "Wedding in Paris", "The Marquise" and "The Amorous Prawn".

She was also rather incongruously cast in the horror film, Theatre of Death (1967).

Published her autobiography 'Boo To My Friends' in 1958.

There was a three-decade long hiatus until Evelyn's return to the screen (though she had appeared as herself with then-husband, and fellow actor, Frank Lawton, in the TV sitcom My Husband and I (1956)).

She made another attempt at Hollywood, four years later, in The Night Is Young (1935), another continental operetta, co-starring Ramon Novarro, and featuring songs by Sigmund Romberg and Oscar Hammerstein. Reviewer Andre Sennwald (January 14) caustically described the picture as being technically well-made, but otherwise "without any distinguishing virtue".

There were considerably better reviews for Evelyn's two British-Gaumont productions, Waltz Time (1933) and, without doubt her best motion picture, Evensong (1934), the story of the rise and decline of an Irish diva.

The ridiculously contrived story and silly dialogue made this one of the worst flops of 1931, not helped by the wooden performance of Laye's co-star, John Boles. Although New York Times critic Mordaunt Hall, in his January 10 review reserved sole praise for Laye's singing and performance, Goldwyn washed his hands of the whole affair and Evelyn returned to England.

Tagged (by Goldwyn) as "the Champagne Blonde", the lovely Evelyn made her American debut in the operetta, One Heavenly Night (1930), directed by the experienced George Fitzmaurice.

She appeared, both in London and on Broadway, in Noël Coward's "Bitter Sweet" in 1929, her song "I'll See you Again" becoming her trademark signature piece. Her performance attracted the attention of producer Samuel Goldwyn, who promptly brought her to Hollywood.

London-born Evelyn Laye, daughter of actor parents, was already treading the boards at the age of two. Her father managed the Palace Theatre in Brighton and this was where Evelyn first made a name for herself. A seasoned stage performer by the age of fifteen, she graduated to the London West End three years later in a small part in "The Beauty Spot". During the 1920's, she was one of England's most popular stars of musical revue and operetta, with hits in the aviation musical "Going Up" (1918-19), "Madame Pompadour" (1923), "Betty in Mayfair" (1925-26) and "Merely Molly" (1926-27), the last two at the Adelphi Theatre.