Age, Biography and Wiki
Esther Forero (Esther Forero Celis) was born on 10 December, 1919 in Barranquilla, Colombia, is an artist. Discover Esther Forero's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 92 years old?
|Popular As||Esther Forero Celis|
|Age||92 years old|
|Born||10 December 1919|
|Date of death||(2011-06-03) Barranquilla, Colombia|
We recommend you to check the complete list of Famous People born on 10 December. She is a member of famous artist with the age 92 years old group.
Esther Forero Height, Weight & Measurements
At 92 years old, Esther Forero height not available right now. We will update Esther Forero's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
|Body Measurements||Not Available|
|Eye Color||Not Available|
|Hair Color||Not Available|
Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
|Children||Esther Nouel (1946-2016), Ivan Gonzalez (unknown date of birth and passing)|
Esther Forero Net Worth
Her net worth has been growing significantly in 2022-2023. So, how much is Esther Forero worth at the age of 92 years old? Esther Forero’s income source is mostly from being a successful artist. She is from Colombia. We have estimated Esther Forero's net worth , money, salary, income, and assets.
|Net Worth in 2023||$1 Million - $5 Million|
|Salary in 2023||Under Review|
|Net Worth in 2022||Pending|
|Salary in 2022||Under Review|
|Source of Income||artist|
Esther Forero Social Network
Esther Forero died on Friday, 3 June 2011 at age 91 at La Asunción Clinic, in her hometown of Barranquilla, after complications in several organs in her body. She arrived at this clinic on Wednesday, 11 May 2011, with a shoulder dislocation, which later led to convulsions and cerebral ischemia.
The Colombian Ministry of Culture granted her the title "Emeritus" in 1998, citing "For her unquestionable contribution to Colombian music before the world, for her dedicated work, and for having been a spokesperson for the most positive values of our culture in the world." Subsequently, the Colombian House of Representatives granted her the Order "Policarpa Salavarrieta", with the rank of Commander.
In 1975, she recorded Érase una vez en La Arenosa ("Once upon a time in the sandy city") – "Arenosa" (sandy) being an endearing term for Barranquilla – under the baton of maestro Pedro "Pete" Vicentini and accompanied by singer Alci Acosta. This recording tells the city's story in song and became an integral part of its culture.
At Esthercita's initiative, in 1974, a lost tradition of Barranquilla's Carnival was rescued – that of performing nightly parades with Cumbiambas (a folkloric rhythm and dance from Colombia) and tamboras(a percussion instrument that originated in the Dominican Republic made of recycled barrels and is played using 2 headed drums.) This night festival became known as La Guacherna.
Estercita Forero sang to her land in an endearing and nostalgic way. Her songs are or were part of the Barranquillan collective imagination and have deeply penetrated the identity of its inhabitants, who recognize and revere them as popular anthems. She was the author of well-known and accepted songs such as "Mi vieja Barranquilla" (My Old Barranquilla) (1974), "Luna Barranquillera" (Barranquillian Moon) (1963), "La Guacherna" (A festival)(1976), "Volvió Juanita" (Juanita Returned) (1978), "Palito 'e matarratón" (Matarraton is a type of tree which was local to the Barranquilla area) (1964), "Tambores de Carnaval" (Carnival Drums) (1978), "Nadie ha de saber" (No one should know) (2002), and "El hombre del palo" (The Wooden Man).
Esther Forero returned to Colombia in 1959, after 10 years of spreading the country's Caribbean music abroad. She began recording her music with orchestras such as those of Pacho Galán, Nuncira Machado, Aníbal Velásquez (es), and Clímaco Sarmiento, with singers including Gabriel Romero (es), Joe Arroyo, and Alfredo Gutiérrez
In Cuba, she performed with Pancho Portuondo's orchestra, followed in 1952 by a trip to New York where her songs were widely known by several fans, and she started recording with pianist and composer René Touzet.
In 1942, Forero made her first tour abroad. In Panama, she performed with success on "Radio Estrella de Panamá" (Panamanian radio station), with the accompaniment of pianist and composer, Avelino Muñoz. In 1945, she went to Venezuela where she first popularized the music of the Caribbean coast. She traveled to Santo Domingo (Dominican Republic), where she wrote her first song entitled "Santo Domingo", and the porro (a Colombian cumbia rhythm that developed into its own subgenre) "Pegadita de los hombres", which became a hit and sold 80,000 copies for three consecutive years. Around 1950, she recorded a very successful album in Puerto Rico with composer Rafael Hernández, which contributed to Colombian music finding an opening among other popular expressions of the Caribbean.
Esther Forero Celis (10 December 1919 – 3 June 2011), better known as Estercita Forero or "La Novia de Barranquilla" ("Barranquilla's Darling"), was a Colombian singer and composer.
Esther had two children, a son, Ivan Gonzalez, and a daughter named Esther Nouel. Her older son, Ivan, died at a young age, apparently having been stabbed to death; this was a loss that would always be in her mind as Ivan's son would also pass away in similar circumstances years later. In her personal life, Forero had a relationship with Bonairean sound engineer Gustavo Nouel (1907-?) with whom she had one daughter (Esther Nouel) when she was 25 or 26 years old. Her daughter, Esther, was matriculated into a school for girls and stayed there as a fulltime student and resident as her Mother immersed herself into musical endeavors possibly favoring that over her family life. Esther Forero and her daughter had a personal fallout lasting several decades but, were reconciled in Esther's latter years before her passing.