Doris Dowling

Her final film roles were in The Car (1977) and Separate Ways (1981)Married three times, she was wife #7 to band leader Artie Shaw, her first husband, with whom she had a son, Jonathan Shaw.

In 1973, Doris returned to the stage and shared an Outer Critics Circle award for her performance in the all-star stage production of "The Women" on Broadway.

" She also enjoyed a regular role on the Julie Newmar-hyped female robot sitcom My Living Doll (1964).

Mother of Jonathan Shaw, born in 1954, from her marriage to Artie Shaw. He is now a famous tattoo artist who owned Manhattan's oldest tattoo parlor until 2004.

Returning to the US by 1952, theater and TV would comprised much of Doris' later work. She appeared on several anthology programs, including "Armstrong Circle Theatre," "Goodyear Playhouse" and "Schlitz Playhouse," and guested on the popular dramatic shows of the day such as "Medic," "Cheyenne," "Richard Diamond, Private Detective," Mike Hammer," "Have Gun--Will Travel," "Checkmate," Shirley Temple's Storybook," "Alfred Hitchcock Presents," "Perry Mason," "The Andy Griffith Show" and "Bonanza," "Barnaby Jones," "The Dukes of Hazzard," and the mini-series "Scruples.

Before departing Italy, she also played Bianca in Orson Welles' troubled European production of Othello (1951), which was filmed in Italy and Morocco.

Filmed entirely in Cuba, she then starred in the minor musical drama Sarumba (1950) playing a singer and love interest to handsome sailor Michael Whalen, followed by a second femme role in the Italian drama Alina (1950) starring rising goddess Gina Lollobrigida.

Doris' last starring film was in the romantic adventure Cuori sul mare (1950) (Hearts at Sea) with handsome Jacques Sernas.

With her dark, earthy, exotic-eyed beauty, she complemented several dramas, including a starring role in the Italian classic Bitter Rice (1949) that also starred Vittorio Gassman and made an international sex star out of Silvana Mangano.

She co-starred with Kent Taylor in the crime mystery The Crimson Key (1947), but then found herself uncredited a year later in the Bing Crosby musical romancer The Emperor Waltz (1948). Seeing the writing on the wall, Doris (like sister Constance) decided to move and continue her movie career abroad.

This success led to an equally choice victimy part in the Raymond Chandler film noir The Blue Dahlia (1946) starring Alan Ladd and Veronica Lake as Ladd's ill-fated wife. From there she was relegated to "B"-level post-war films.

After a couple of bit parts, she scored with the second femme role of a barfly, prostitute and enabler to fellow alcoholic Ray Milland in the sobering classic film The Lost Weekend (1945). That movie, which won "Best Picture" and "Best Actor" for Milland, was the first to deal with the harrowing effects of alcoholism.

Following several years as a singing/dancing Broadway chorine in such musicals as Panama Hattie (debut at age 17), Banjo Eyes, Beat the Band and New Faces of 1943, Doris decided to pattern sister Constance's career formula by relocating to Hollywood and pursue films.

One of four children, lovely Detroit-born actress Doris Dowling (born May 15, 1923) would follow older sister Constance Dowling (who died relatively young in 1969) into show business. Raised in New York City, she briefly spent some time with a San Francisco Folies Bergère company before returning to New York and studying at Hunter College.