Age, Biography and Wiki

David Benjamin Sherry was born on 14 January, 1981 in Woodstock, New York, United States. Discover David Benjamin Sherry's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 39 years old?

Popular As N/A
Occupation N/A
Age 39 years old
Zodiac Sign Capricorn
Born 14 January 1981
Birthday 14 January
Birthplace Woodstock, New York, United States
Nationality American

We recommend you to check the complete list of Famous People born on 14 January. He is a member of famous with the age 39 years old group.

David Benjamin Sherry Height, Weight & Measurements

At 39 years old, David Benjamin Sherry height not available right now. We will update David Benjamin Sherry's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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David Benjamin Sherry Net Worth

He net worth has been growing significantly in 2018-19. So, how much is David Benjamin Sherry worth at the age of 39 years old? David Benjamin Sherry’s income source is mostly from being a successful . He is from American. We have estimated David Benjamin Sherry's net worth, money, salary, income, and assets.

Net Worth in 2020 $1 Million - $5 Million
Salary in 2019 Under Review
Net Worth in 2019 Pending
Salary in 2019 Under Review
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Timeline

2019

Sherry’s use of vibrant monochrome color began while studying for his MFA at Yale. Working closely with master printer and photographer Richard Benson, Sherry discovered that through analog printing techniques, he could manipulate color film to chromatic extremes. For Sherry, the vibrant colors he incorporates into the work are a conduit for his intense, sometimes mystical connections to the natural world. His exhibition "Astral Desert", at Salon 94 gallery in New York City explored the topography of the desert and American West through multiple processes pushing photography to a "chromatic extreme." In the exhibitions "Climate Vortex Sutra" and "Paradise Fire" Sherry's work continued to explore themes of queer landscape, as well as climate change and its effects on the American landscape.

In the series American Monuments, Sherry used his signature colored images to depict the spirit and intrinsic value of America’s threatened system of national monuments, not only conveying the beauty of these important and ecologically diverse sites, but also shedding light upon the plight of the perennially exploited landscape of the American West.

Perhaps this turn to a kind of “straight” photography stems from a realization that landscape indelibly bears the traces of human presence, mostly ruinous, and that this presence is deleterious enough to puncture the possibility of autonomy posited by Adams and other photographers of yesteryear. Adams avoided photographing people on the trails next to him and thus maintained a fantasy of natural preserve that he spent his later years defending as a form of social service. In Sherry’s photographs, people do appear, taking selfies in meadows or throwing themselves from bridges, tethered to bungee cords. In Swingarm City aka Caineville, Utah, June 2015, film crews work amid props and a green-screen ramp. Somewhat more elegantly, in what might also be his most potent rejoinder to Adams and the tradition he represents, Sherry shows Yosemite’s El Capitán dotted with climbers— specks on the enormous rock. In this new body of work, Sherry seems to veer toward a sort of humanism necessarily personal enough to incorporate identity but also capacious enough to allow for the possibility of exceeding it, the works offering themselves to a world that, soon enough, none of us will inhabit.

2014

Sherry's insertion of queer themes into the trajectory of modernist photography gives us space to stop and consider the erotic body of the image itself... In Deep Blue Sea Rising, Oregon, 2014, for example Sherry's vision of the American landscape breaks down into the tactile skin of the sea, only to be brought back together by swaths of pigment.

2010

His work has been featured in museum and gallery exhibitions such as MoMA PS1's "2010 Greater New York," the Aspen Art Museum's "The Anxiety of Photography" in 2011, Saatchi Gallery's "Out of Focus" in 2012, LACMA's "Lost Line" exhibition in 2013, "What is a Photograph?" at the International Center for Photography in 2014. Since 2011 he has presented numerous solo exhibitions at Salon 94 gallery in New York City and Moran Bondaroff gallery in Los Angeles, CA. In 2011 he was a recipient of Rema Hort Mann Foundation Visual Arts Grant.

2009

Sherry is currently represented by Salon 94 in New York City and Moran Bondaroff in Los Angeles. He has published three books of photographs, the first, titled "It's Time" in 2009 with Damiani, a second book titled "Quantum Light" released in 2012 with Damiani and Salon 94 and a third, titled "Earth Changes" released in 2015 with Mörel Books. His work is held in permanent collections at the Wexner Center of the Arts, Columbus, OH; Los Angeles County Museum of Art, Los Angeles, CA; and the Saatchi Collection, London, UK.

2003

Sherry received his BFA in Photography from Rhode Island School of Design in 2003 and an MFA in Photography from Yale University in 2007.

1981

David Benjamin Sherry (born January 14, 1981 in Woodstock, New York) is an American photographer based in Los Angeles. Sherry's work consists primarily of large format film photography, focusing on landscape and portraiture, and has been exhibited in New York, Los Angeles, London, Berlin, Aspen and Moscow.