Age, Biography and Wiki

Buster Keaton was an American actor, director, producer, and stunt performer who is best remembered for his silent films. He was born Joseph Frank Keaton on October 4, 1895 in Piqua, Kansas. He began his career in vaudeville and made his film debut in 1917. He went on to star in a number of silent films, including The General (1926), Steamboat Bill, Jr. (1928), and The Cameraman (1928). He also directed and produced a number of films, including The Navigator (1924) and Sherlock Jr. (1924). He was known for his physical comedy and deadpan expression. He was also a pioneer in the use of special effects. He died on February 1, 1966 in Woodland Hills, California.

Popular As Joseph Frank Keaton
Occupation actor,writer,director
Age 71 years old
Zodiac Sign Libra
Born 4 October, 1895
Birthday 4 October
Birthplace Piqua, Kansas, U.S.
Date of death February 1, 1966
Died Place Los Angeles, California, U.S.
Nationality United States

We recommend you to check the complete list of Famous People born on 4 October. He is a member of famous Actor with the age 71 years old group.

Buster Keaton Height, Weight & Measurements

At 71 years old, Buster Keaton height is 5′ 5″ .

Physical Status
Height 5′ 5″
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is Buster Keaton's Wife?

His wife is Natalie Talmadge (m. 1921-1932) Mae Scriven (m. 1933-1936) Eleanor Keaton (m. 1940)

Family
Parents Not Available
Wife Natalie Talmadge (m. 1921-1932) Mae Scriven (m. 1933-1936) Eleanor Keaton (m. 1940)
Sibling Not Available
Children Buster Keaton Jr., Bob Talmadge

Buster Keaton Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is Buster Keaton worth at the age of 71 years old? Buster Keaton’s income source is mostly from being a successful Actor. He is from United States. We have estimated Buster Keaton's net worth , money, salary, income, and assets.

Le roi des Champs-Élysées (1934)$15,000
Palooka from Paducah (1935)$2,500
One Run Elmer (1935)$2,500
Hayseed Romance (1935)$2,500
Tars and Stripes (1935)$2,500
The E-Flat Man (1935)$2,500
The Timid Young Man (1935)$2,500
Three on a Limb (1936)$2,500
Grand Slam Opera (1936)$2,500
Blue Blazes (1936)$2,500
The Chemist (1936)$2,500
Mixed Magic (1936)$2,500
Jail Bait (1937)$2,500
Ditto (1937)$2,500
Love Nest on Wheels (1937)$2,500
Sunset Blvd. (1950)$1,000

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Timeline

2010

Modern day film scholars liken the story and effects to Christopher Nolan Inception (2010), for its high level concept and ground-breaking execution.

1994

Pictured on one of ten 29¢ US commemorative postage stamps celebrating stars of the silent screen, issued 27 April 1994. Designed by caricaturist Al Hirschfeld, this set of stamps also honored Rudolph Valentino, Clara Bow, Charles Chaplin, Lon Chaney, John Gilbert, Zasu Pitts, Harold Lloyd, Theda Bara and the Keystone Kops.

1966

He was already quite sick with the cancer that would eventually kill him by the time he made his last completed film, A Funny Thing Happened on the Way to the Forum (1966). He used a stunt double in this film, as well as most of the films he made as an MGM contract player. Before signing with MGM in 1928, he had performed all of his own stunts, and even doubled for cast members in his own films, as in Sherlock Jr. (1924), where he played both himself, riding on the handlebars of a motorcycle, and the man who falls off the back of there.

1965

His last film work was The Railrodder (1965), but because it was such a short film it was released before other movies, like A Funny Thing Happened on the Way to the Forum (1966), which had completed filming before "The Railrodder".

1964

Most biographers overlook his appearance on the ABC-TV variety show The Hollywood Palace (1964). At the end of the first winter-spring season, series producers Nick Vanoff and William O. Harbach scheduled the show's host Gene Barry with guest stars Keaton and Gloria Swanson to appear together in a comedy sketch. Keaton was at that time appearing in It's a Mad, Mad, Mad, Mad World (1963). Bringing famous Hollywood film stars onto the show was the producers' main goal. Getting Swanson and Keaton on the show was considered a coup and an opportunity to promote the film. The sketch starred Swanson as Cleopatra and Keaton as Marc Antony, staged on a stepped Roman platform terrace surrounded by a 20-inch-high parapet wall and Roman columns, with the pair falling in love. It was written by Joe Bigelow and Jay Burton, but director Grey Lockwood encouraged Swanson and Keaton to contribute any bits, routines and ideas that they wanted to, which they did. On the first day of rehearsal Swanson was on the stage, gazing up at the lighting fixtures overhead. She asked for lighting director Jack Denton to come to the stage, which he did, and Swanson began pointing out how she wanted which lights to focus on her and Keaton during the sketch--side light, key light, back light, which color gels to use, etc. Denton made sure that all of her suggestions were implemented. Keaton's idea was that the sketch should end with "Antony" and "Cleopatra" sitting on the parapet wall bench, join hands, raising their legs high and falling backwards out of sight over the wall. He and Swanson rehearsed the fall several times, and did the stunt themselves when it came time to actually shoot the scene for the show.

1960

After several more film, television, and stage appearances through the 1960s, he wrote the autobiography "My Wonderful World of Slapstick", having completed nearly 150 films in the span of his ground-breaking career.

1952

In 1952 while remodeling his home, James Mason discovered several reels of Keaton's "lost" films (Mason had purchased Keaton's Hollywood mansion) and immediately recognized their historical significance. He took upon himself the responsibility for their preservation.

1949

After several more years of hardship working as an uncredited, underpaid gag man for comedians such as the Marx Brothers, he was consulted on how to do a realistic and comedic fall for In the Good Old Summertime (1949) in which an expensive violin is destroyed. Finding no one who could do this better than him, he was given a minor role in the film. His presence reignited interest in his silent films, which lead to interviews, television appearances, film roles, and world tours that kept him busy for the rest of his life.

1948

Contributed gags (uncredited) to the Red Skelton film A Southern Yankee (1948). No one could figure out a simple, yet funny way to get Aubrey out of the house when he was being held captive by the angry dog. Buster, employed by MGM as a roving gag man, was called to the set, looked at the set up, and came up with the idea of removing the door hinges and letting the dog in as Aubrey got out. The most famous gag in the movie took him all of five minutes to devise. Some of the other gags he contributed were some he had done himself years earlier.

1940

In 1940, he met and married his third wife Eleanor Norris, who was deeply devoted to him, and remained his constant companion and partner until Keaton's death.

1936

His career was slightly reinvigorated when he produced the short Grand Slam Opera (1936), which many of his fans admire for giving such a good performance during the most difficult and unmanageable years of his life.

1935

After spending time in hospitals to attempt and treat his alcoholism, he met second wife Mae Scrivens, a nurse, and married her hastily in Mexico, only to end in divorce by 1935. After his firing, he made several low-budget shorts for Educational Pictures, and spent the next several years of his life fading out of public favor, and finding work where he could.

1933

Depressed, penniless, and out of control, he was fired by MGM by 1933, and became a full-fledged alcoholic.

1932

By 1932, his marriage to Natalie Talmadge had dissolved when she sued him for divorce, and in an effort to placate her, put up little resistance. This resulted in the loss of the home he had built for his family nicknamed "The Italian Villa", the bulk of his assets, and contact with his children. Natalie changed their last names from Keaton to Talmadge, and they were disallowed from speaking about their father or seeing him. About 10 years later, when they became of age, they rekindled the relationship with Keaton.

1931

He died the same day as his The Stolen Jools (1931), Speak Easily (1932) and Sunset Boulevard (1950) co-star Hedda Hopper.

1930

His hardships in his professional and private life that had been slowly taking their toll, begun to culminate by the early 1930s resulting in his own dependence on alcohol, and sometimes violent and erratic behavior.

1929

He made one more silent film at MGM entitled Spite Marriage (1929) before the sound era arrived.

His first appearance in a film with sound was with the ensemble piece The Hollywood Revue of 1929 (1929), though despite the popularity of it and his previous MGM silents, MGM never allowed Keaton his own production unit, and increasingly reduced his creative control over his films.

1928

(1928), Keaton was informed that his contract had been sold to MGM, by brother-in-law and producer Joseph M. Schenck. Keaton regarded the incident as the worst professional mistake he ever made, as it sent his career, legacy, and personal life into a vicious downward spiral for many years.

His first film with MGM was The Cameraman (1928), which is regarded as one of his best silent comedies, but the release signified the loss of control Keaton would incur, never again regaining his film -making independence.

1927

After a few more silent features, including College (1927) and Steamboat Bill, Jr.

1926

Keaton's Civil War epic The General (1926) kept up his momentum when he gave audiences the biggest and most expensive sequence ever seen in film at the time. At its climax, a bridge collapses while a train is passing over it, sending the train into a river. This wowed audiences, but did little for its long-term financial success. Audiences did not respond well to the film, disliking the higher level of drama over comedy, and the main character being a Confederate soldier.

1924

(1924), which used cutting edge special effects that received mixed reviews as critics and audiences alike had never seen anything like it, and did not know what to make of it.

1923

His first feature, Three Ages (1923), was produced similarly to his short films, and was the dawning of a new era in comedic cinema, where it became apparent to Keaton that he had to put more focus on the story lines and characterization.

At the height of his popularity, he was making two features a year, and followed Ages with Our Hospitality (1923), The Navigator (1924) and The General (1926), the latter two he regarded as his best films. The most renowned of Keaton's comedies is Sherlock Jr.

1922

Broke his ankle while filming The Electric House (1922) when he slipped on the escalator and was still recovering from it when he made The Play House (1921) in which his stunts were considered to be tamer than usual.

1921

By September 1921, tragedy touched Arbuckle's life by way of a scandal, where he was tried three times for the murder of Virginia Rapp. Although he was not guilty of the charges, and never convicted, he was unable to regain his status, and the viewing public would no longer tolerate his presence in film. Keaton stood by his friend and mentor through out the incident, supporting him financially, finding him directorial work, even risking his own budding reputation offering to testify on Arbuckle's behalf.

In 1921, Keaton also married his first wife, Natalie Talmadge under unusual circumstance that have never been fully clarified. Popular conjecture states that he was encouraged by Joseph M. Schenck to marry into the powerful Talmadge dynasty, that he himself was already a part of. The union bore Keaton two sons.

1920

By 1920, after making several successful shorts together, Arbuckle moved on to features, and Keaton inherited his studio, allowing him the opportunity to begin producing his own films.

Keaton's independent shorts soon became too limiting for the growing star, and after a string of popular films like One Week (1920), The Boat (1921) and Cops (1922), Keaton made the transition into feature films.

1918

Was hearing-impaired since 1918, after serving in Germany fighting World War I.

1917

While in New York looking for work, a chance run-in with the wildly successful film star and director Roscoe 'Fatty' Arbuckle, resulted in Arbuckle inviting him to be in his upcoming short The Butcher Boy (1917), an appearance that launched Keaton's film career, and spawned a friendship that lasted until Arbuckle's sudden death in 1933.

1895

Joseph Frank Keaton was born on October 4, 1895 in Piqua, Kansas, to Joe Keaton and Myra Keaton. Joe and Myra were Vaudevillian comedians with a popular, ever-changing variety act, giving Keaton an eclectic and interesting upbringing. In the earliest days on stage, they traveled with a medicine show that included family friend, illusionist Harry Houdini. Keaton himself verified the origin of his nickname "Buster", given to him by Houdini, when at the age of three, fell down a flight of stairs and was picked up and dusted off by Houdini, who said to Keaton's father Joe, also nearby, that the fall was 'a buster'. Savvy showman Joe Keaton liked the nickname, which has stuck for more than 100 years. At the age of four, Keaton had already begun acting with his parents on the stage. Their act soon gained the reputation as one of the roughest in the country, for their wild, physical antics on stage. It was normal for Joe to throw Buster around the stage, participate in elaborate, dangerous stunts to the reverie of audiences. After several years on the Vaudeville circuit, "The Three Keatons", toured until Keaton had to break up the act due to his father's increasing alcohol dependence, making him a show business veteran by the age of 21.

1890

Biography in: John Wakeman, editor. "World Film Directors, Volume One, 1890-1945". Pages 523-531. New York: The H.W. Wilson Company, 1987.