Age, Biography and Wiki

Brian Johnson (Brian R. Johncock) was born on 29 June, 1939 in Surrey, England, UK, is a Special Effects, Director, Visual Effects. Discover Brian Johnson's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 82 years old?

Popular As Brian R. Johncock
Occupation special_effects,director,visual_effects
Age 83 years old
Zodiac Sign Cancer
Born 29 June, 1939
Birthday 29 June
Birthplace Surrey, England, UK
Nationality United Kingdom

We recommend you to check the complete list of Famous People born on 29 June. He is a member of famous Special Effects with the age 83 years old group.

Brian Johnson Height, Weight & Measurements

At 83 years old, Brian Johnson height is 5' 11" (1.8 m) .

Physical Status
Height 5' 11" (1.8 m)
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is Brian Johnson's Wife?

His wife is Delia Tindall (1969 - ?) ( 1 child)

Family
Parents Not Available
Wife Delia Tindall (1969 - ?) ( 1 child)
Sibling Not Available
Children Not Available

Brian Johnson Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is Brian Johnson worth at the age of 83 years old? Brian Johnson’s income source is mostly from being a successful Special Effects. He is from United Kingdom. We have estimated Brian Johnson's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income Special Effects

Brian Johnson Social Network

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Timeline

2001

2001 of course went on to become a huge success and to this day remains one of the most influential and highly regarded pictures of the science fiction genre.

After 2001 film, Johnson went on to work on various film and television productions including Moon Zero Two, On the Buses, Z Cars, and the Hammer production When Dinosaurs Ruled the World with renowned stop motion animator Jim Danforth who was nominated for the Academy Award for Best Visual Effects.

1999

It was during the production of 1999 at Bray Studios Johnson was first approached by two filmmakers to work on a big American space picture turning them down as he had signed for the second series of Space: 1999.

Johnson's next big production was to be Ridley Scott's Alien where he once again worked with friend and Space: 1999 collaborator Nick Allder on the various model miniature effects sequences out of Bray Studios as special effects supervisor. Meanwhile the American Space picture became Star Wars, the highest grossing film of all time, an Academy Award winner and a cult worldwide phenomenon, the two aforementioned filmmakers were George Lucas and Gary Kurtz. Fortunately for Johnson he was invited to work on the sequel The Empire Strikes Back where he supervised special and visual effects at the now world renowned Industrial Light and Magic.

1980

In early 1980 Johnson's work on Alien was recognized when he was bestowed the 1979 Academy Award for Best Visual Effects along with H. R. Giger, Carlo Rambaldi, Nick Allder and Dennis Ayling.

1974

By 1974 Johnson was once again working for Gerry Anderson on his latest television series Space: 1999 producing high quality effects which are still highly regarded today, he was also responsible for designing the now iconic Eagle Transporter and various other craft of the series.

1966

By 1966 Johnson left Century 21, taking with him a wealth of knowledge and found himself working on a Stanley Kubrick picture called 2001: A Space Odyssey on special effects shots which took over two years to complete.

1961

In 1961 Johnson joined AP Films (later Century 21) under the talented Derek Meddings, firstly as a model builder and flyer on Gerry Anderson classics such as Supercar, Fireball XL5, Stingray and later a second unit director on the groundbreaking television series Thunderbirds.

1960

Changed his surname from Johncock to Johnson in the 1960s or 1970s.

1958

After becoming a Hammer films effects assistant in 1958 Johnson's national service in the RAF followed before moving on to film the 1961 apocalyptic classic The Day the Earth Caught Fire during which he was an effects assistant at Bowie Films.

1957

Brian Johnson is a award winning special and visual effects designer and director who for over 40 years provided his services to a multitude of film and television productions. Johnson's career began in 1957 when he joined Anglo Scottish Pictures after meeting veteran effects artist and skilled matte painter Les Bowie moving on to become a clapper loader and filming effects plates for Dunkirk (1958).