Age, Biography and Wiki
Aya Takano was born on 22 December, 1976 in Saitama, Saitama, Japan. Discover Aya Takano's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 44 years old?
|Age||45 years old|
|Born||22 December 1976|
|Birthplace||Saitama, Saitama, Japan|
We recommend you to check the complete list of Famous People born on 22 December. She is a member of famous with the age 45 years old group.
Aya Takano Height, Weight & Measurements
At 45 years old, Aya Takano height not available right now. We will update Aya Takano's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
|Body Measurements||Not Available|
|Eye Color||Not Available|
|Hair Color||Not Available|
Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
Aya Takano Net Worth
Her net worth has been growing significantly in 2020-2021. So, how much is Aya Takano worth at the age of 45 years old? Aya Takano’s income source is mostly from being a successful . She is from Japan. We have estimated Aya Takano's net worth, money, salary, income, and assets.
|Net Worth in 2021||$1 Million - $5 Million|
|Salary in 2020||Under Review|
|Net Worth in 2019||Pending|
|Salary in 2019||Under Review|
|Source of Income|
Aya Takano Social Network
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|Aya Takano Facebook|
|Wikipedia||Aya Takano Wikipedia|
Aya Takano’s artistry has yet to be fully dissected by the art world at large. She is that rarest of creators who forges their own unique artistic context – one that is far ahead of its time. Her work draws its themes from the schematics of unknown worlds, the frayed edges of society, misshapen animal life forms, and the dogma of human desire.
2015 •"The Ocean Inside, The Flowers Inside", Johyun Gallery, Busan, South Korea 2014 •"La Maison d'Aya", BIBO, Hong Kong 2012 •"Heaven Is Inside Of You", Galerie Perrotin, Hong Kong •"To Lose Is To Gain", Galerie Perrotin, Paris, France
2009 •"Reintegrating Worlds," Skarstedt Gallery, New York City
2007 •"Wild dogs, hawks, owls, cats, a landfill the size of 44 and a half Tokyo Domes, the stratosphere", Galerie Emmanuel Perrotin, Miami, USA •"Tradition and modernity", curated by Hélène Kelmachter, Miró Foundation, Barcelona, Spain
2006 •"Aya Takano", Musée d’Art Contemporain, Lyon, France •"City Dog", Parco Gallery, Tokyo, Japan; Parco Gallery, Nagoya, Japan
2005 • Frieze Art Fair, London, United Kingdom •"The Far Reaches of The Universe, My Garden", Blum & Poe Gallery, Santa Monica, United States
2004 •"Aya Takano, a web project for Digital Gallery", Museum of Contemporary Art, Los Angeles, United States • Naoki Takizawa for Issey Miyake, 2004-5 Autumn Winter Collection, Paris, Tokyo (collaboration)
2002 • Space Ship EE, nanogalerie, Paris, France
When it was time for her to start thinking about college, Takano told her parents she wouldn't attend unless she was allowed to enter an art program. In 2000, she received a bachelor's degree from Tama Art University in Tokyo, and, soon after, became an assistant for leading Japanese Contemporary Artist Takashi Murakami, the founder of the Superflat art movement, who became her first mentor and jump-started her career.
2000 • "Hot Banana Fudge", NADiff, Tokyo, Japan
1997 • "SHU WA KIMASERI", shop33, Tokyo, Japan
In the 1980s, the look of pre-pubescent girls became the target of consumer culture in Japanese society. This infantilization and objectification of the female was seen most heavily in Japan's otaku culture. Japanese female artists like Takano seek to reinvent the otaku culture through a feminine perspective. Takano in particular is interested in depicting how the future will impact the role of the female heroine in society. Her figures, often androgynous, float through her alternate realities partially clothed or fully nude. Takano denies that she is trying to reveal anything specific about sex, but rather, with the slim bodies, bulbous heads, and large eyes, she is trying to emphasize her figures' temporary suspension from adulthood; the redness on the figures' joints, such as the elbows, knees, and shoulders, is supposed to convey that they are still engaged in the growing process, mentally and physically. Takano's playful and ambiguous visions of the future, especially one which revolves around the feminine, serves as a way for her to create her own mythology, free from the chains of reality. She is represented by Galerie Perrotin, Hong Kong & Paris
It took thirty years for society to unlock the labyrinthine content of the novels of Phillip K. Dick and other hard-boiled 1960’s science fiction authors, a fact that is reinforced by the way their material has formed the mainstream of Hollywood literary adaptations since the 1990s. Likewise, the true value of Takano’s work lies thirty or more years in the future, when audiences will decipher the vast range of uncharted information which lies beneath its surface.