Age, Biography and Wiki

Alexandre Trauner (Sandor Trau) was born on 3 August, 1906 in Budapest, Hungary, is a Production designer. Discover Alexandre Trauner's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of Alexandre Trauner networth?

Popular As Sandor Trau
Occupation production_designer,art_director,set_decorator
Age 87 years old
Zodiac Sign Leo
Born 3 August 1906
Birthday 3 August
Birthplace Budapest, Hungary
Date of death December 5, 1993
Died Place Omonville-la-Petite, La Hague, France
Nationality Hungary

We recommend you to check the complete list of Famous People born on 3 August. He is a member of famous Production Designer with the age 87 years old group.

Alexandre Trauner Height, Weight & Measurements

At 87 years old, Alexandre Trauner height not available right now. We will update Alexandre Trauner's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
Sibling Not Available
Children Not Available

Alexandre Trauner Net Worth

His net worth has been growing significantly in 2020-2021. So, how much is Alexandre Trauner worth at the age of 87 years old? Alexandre Trauner’s income source is mostly from being a successful Production Designer. He is from Hungary. We have estimated Alexandre Trauner's net worth, money, salary, income, and assets.

Net Worth in 2021 $1 Million - $5 Million
Salary in 2020 Under Review
Net Worth in 2019 Pending
Salary in 2019 Under Review
House Not Available
Cars Not Available
Source of Income Production Designer

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Timeline

1986

Member of the jury at the Cannes Film Festival in 1986.

1985

Coming full circle, Trauner wound down his distinguished career back in France, with a darker view of Paris via the Metro and its inhabitants, in Subway (1985).

1980

Member of the jury at the Berlin International Film Festival in 1980.

1967

Demonstrating his versatility, he created impressive visuals of war-torn Warsaw (filmed on location) for The Night of the Generals (1967); built the most sumptuous of Victorian sets at Pinewood, replete with equally opulent Baker Street interiors, for Wilder's The Private Life of Sherlock Holmes (1970); and summoned an exotic vision of the fictional kingdom of Kafiristan for John Huston's cracking adventure yarn, The Man Who Would Be King (1975).

1961

After that, he was back in action as art director on another romantic Parisian melodrama, Anatole Litvak's charming and moody Goodbye Again (1961).

1959

He travelled to the Congo, detailing Sister Luke's hardships for Fred Zinnemann's The Nun's Story (1959), then worked on some of Wilder's best films during the next few years, creating the effective, lived-in ambiance of The Apartment (1960) and the stark cold war atmosphere of divided Berlin for One, Two, Three (1961).

1945

Trauner's meticulously researched, intricate studio sets evocatively captured not only the virile, romantic atmosphere of Paris boulevards and canals (Children of Paradise (1945) and Gates of the Night (1946)), but also a fog-enshrouded Le Havre (Port of Shadows (1938)) and a windswept Brittany coastline (Remorques (1941)). Post-war, and having gained international recognition, Trauner became much sought-after by Hollywood directors with European assignments. His next famous partnership was with Billy Wilder who invited him to come to the U. S. where Trauner was subsequently based.

1938

He became part of a famous collaboration with the director Marcel Carné, writer Jacques Prevert and composers Joseph Kosma and Maurice Jaubert on a number of seminal French films, including Hôtel du Nord (1938) and Le Jour Se Leve (1939).

1929

Hungarian-born Alexandre Trauner came to Paris in 1929 to escape the anti-semitic Horty regime in his native country, and to paint. Instead, he became involved in the film industry as an assistant to the famous art director Lazare Meerson. Influenced by cubism and impressionism, he embraced the intellectual freedom in the French capital and branched out into architecture, even fashion design and tapestry. However, by the mid-30s, Trauner had worked his way up to being a motion picture production designer in his own right.